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måndag 15 september 2014

Oriza L.Legrand - Royal Oeillet

Picture: Study of Polly Bernard  1885 for
"Carnation, lily, lily, rose"
Painting by John Singer Sargent (1856-1925)
Royal Oeillet is a composition inspired of the rich heritage of the revived french powder and perfumehouse Oriza L.Legrand. The house of Oriza recreates some of the old formulas taken the restrictions of and opportunities in to account and the result is one of the very best nichelines of today. In Royal Oeillet he interpretes the it-note of 2014: Carnation.

Royal Oeillet starts with an traditional, dense carnation note, a full carnation as in Caron Bellodgia pre year 2000. After a while, a contrasting note appears, a glimpse of the, what I call "an old attic" note appears, but much lighter, cleaner and airier than in the "old attic" gold standard L'Ombre Fauve from Parfumerie Générale. The note soon steps back and integrates with the carnationnote. The carnation is dry and papery in structure, I imagine its color as brick red. The clove which is a part of the carnationnote is very balanced and doesn't overpower the composition. Compared to Royal Oeillet, for example M.O.U.S.S.E and M.O.U.S.S.E II from Oliver & Co, spicy clovefragrances and the impression of carantion is subordinated the spices. Royal Oeillet is, despite the light spieces, in a strange way refreshing when worn a warm summerday. It's linear and minimalistic in its apperance but not at all boring. Its a meditative and calming fragrance which triggers the imagination and transports the wearer to the late 19th century and the impressionists era. The atmosphere in John Singer Sargents wonderful painting Carnation, lily, lily rose is similar to the vibes of Royal Oeillet.

Picture: Carnation, lily, lily, rose -
 the finished painting 1885-1886
 John Singer Sargent (1856-1925)
Compared to the other Oriza L.Legrand carnation, Oeillet Louis XV Royal Oeillet gives the impression to be a soliflore carnation, the Louis is more of an aldehydic boquet with carnation as the leading flower. In the Mâitre Parfumer et Gantier carnation Soie Rouge, where fruit and rose are more predominat an its also less spicer. Haven't tried my sample of Aedes de Venustas Oeillet Bengale yet but I'll compare it with Royal Oeillet when I review it.

Royal Oeillet could be worn in many situations when one need a comforting, elegant and easy to wear fragrance. The fragrance is appropriate year around, but especially for late summer/fall, the sillage is medium and longevity for almost a day.

Rating: 5

Notes: Rose, black pepper, myrrh, geranium, cloves, pink pepper, cedar, bitter orange, violet leaf, sandalwood

måndag 8 juli 2013

Oliver & Co - M.O.U.S.S.E and M.O.U.S.S.E II

PictureGewürznelkenbaum, Köhler
 Medizinal -Planzen, Franz Eugen Köhler (1897),
Wikimedia Commons
Mousse and Mousse II are slight different takes on a original fresh spicy clovetheme. Both are created by spanish indieperfumer Oliver Valverde who uses a high precentage of naturals in his, despite this, strong and lasting fragrances.

Moussse: Starts with a distinct scent of airy clove which is unsweet and natural in its interpretation. It's clean but without any detergentnotes despite its consistent supporting musky theme. Even if the clove is airy and transparent in texture, this fragrance is very strong and demands a light application. As Mousse dries down the clove is tamed by a soft sandalwood which perfectly balances the fragrance. In this stage there is a hint of the scent from a soft high quality carnation soap. To summarize Mousse it's the perfect spicy counterpart to Comme des Garcons excellent incense-pine creation Kyoto  

As Mousse is a non sweet and fresh clove it's wearable also during the summer and the musky spicy clove blooms in warm weather. Mousse is also right to wear during the rest of the year, a versatile sort of timeless ( even if contemporary I can easily image a king of the baroque-era wearing this) unisex fragrance, despite IMO, just as Kyoto, Mousse is leaning to the masculine side. Sillage and longevity (24h+) are great.

Mousse II: This is an even more airy, almost ozonic take on the original Mousse. The clove is lighter and the whole scent is brighter and the fizzy fresh notes of mint and cardamom is added. There are also a strike of the crisp green lily of the valley accord from La Colonia. Overall Mousse II is more playful, brighter, lighter not as distinctive/sharp as the original Mousse and therefore easier to wear. It's also a more feminine unisex fragrance than the original Mousse. Sillage is good and longevity for a day. Etros transparant carnation with clove, Dianthus comes to my mind when wearing Mousse II even if Dianthus is more concentrated of the carnation than its clove notes

Even if Mousse is more masculine I prefer it as it is much more original and also genuinely highlights the clove. There is no attempts to quiet down the powerful clove as I perceive as an intention in the flanker Mousse II. But Mousse II is definitly a good choice for those who prefer a more blended and tuned down perfume featuring clove.

Rating: Mousse 5, Mousse II  3+

Notes Mousse: Lime, aldehydes, clove, lavander, oakmoss, sandalwood, musk
Notes Mousse II: Lime, aldehydes, clove, lavander, cardamom, mint, lily of the valley, sandalwood, ambergris, musk