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Visar inlägg med etikett L'orpheline. Visa alla inlägg

måndag 10 oktober 2016

5 Top fragrances for fall

Picture: Maple leaves
Photo: Mr Parfumista (c)

Autumn is late this year but finally it has arrived with its glowing colors, fresh chilly air and damp/moisty scents. Below some fragrances I like/like to wear this autumn, whether they are autumnal or not:

Bois Blond (Parfumerie Generale): Now when my sample is drained after years of occasionally wearing, I suddenly realized how much I will miss this dry, hayish, woody beauty. It's not the easiest fragrance to come close to and probably too masculine for me....Anyway a bottle is on its way.

Galop d'Hermès (Hermès): No toplist without a Hermès, their fragrances are versatile and suits me perfect for everyday wearing. Galop exceed my expectations with its juicy, rosy, soft leather with a slight sort of clean, animalic touch. It's now my favorite Hermès together with my all time feminine favorite from the house: Amazone.

No 5 L'Eau (Chanel): I have to confess I didn't want to like this as L'Eau is a far longer step away from the distinct super aldehydic original No 5 than No 5 Eau Première. Even if I tried to resist when tested in store, this flowing light flowery beauty with many the notes from No 5 but in different proportions and with a lighter base is a new classic.

Baume du Doge (Eau d'Italie): It's such a well balanced myrrh dominated fragence. Infused with orange, resins  and spices, BdG warns during grey and rainy days. To be worn with a cashmere sweater/shawl.

Baptême du Feu (Serge Lutens): A bit weired but intrguing fragances with light gourmand, citric, incense and smoky notes. The incense in style with the clean note in L'Orpheline, the citric notes cold as metal, the gourmand licour and spice, the smoke from gunpowder and campfires. Intriguing during it's whole dry down.

onsdag 31 december 2014

Best of 2014

Picture: Grape hyacinths in spring 2014
Photo: Mr Parfumista (c)
Best of 2014 is not an easy post to write (and should not be as long as the perfume industry has not collapsed compleatly :-) as I have tried a bunch of good fragrances released in the market this year. And as usual, I've just tested a fraction of the thousend+ releases on the international market.

Best Feminine:
Vero Profumo Rozy Voile d'Extrait, an retro styled but still contemporary deep, balsamic, oriental rose.
Close contenders: My Burberry and Maison Francis Kurkdjian Féminin Pluriel both contemporary, beutiful floral interpretations by Francis Kurkdjian, the former a  though, urban flower, the latter a contemporary but in the same time timeless flower creation. Le Galion Iris a magnificent, iris-lily dominated floral bouquet, review will follow in January 2015.

Best Masculine:
Le Galion Special for Gentleman, an elegant, retrostyled, very masculine aromatic/chypre.
Close contenders: Oriza L.Legrand Vétiver Royal Bourbon  unisex but leaning IMO to the masculine side. Chalky, brisk, light green vetiver, nautral smelling with some traces of Terre d'Hermes, the chalky tone. By Kilian Smoke for the soul doesn't suit me personally but the fragrance is very original and innovative to be a member of the Kilian line. Therefore it's the stand out in the "The addicted state of mind" trio.

For both:
Serge Lutens L'Orpheline is totally unisex to me, fits equally fits equally well for me as for Mr Parfumista. It's a fragrance that is a growing liking for me. I like it much better worn in colder tempratures than when tested it last summer for the review. A new and appealing interpretation of incense. Frapin Nevermore, this decades interpretation of the iconic dark rose of the 1990s; L'Artisan Voleur de Roses. Nevermore is leaning to the masculine side but I admit I notice a growing appreciation to wear it myself.

Disappointments of the year:
Both are very good fragrances but apparently in practice the don't fit me even if they should, in theory.
Editions Parfums Frederic Malle Eau de Magnolia: Even if a well constructed fragance and probably a hit commercial, it's just too shrill to me, and honestly, to me this fine fragrance is boring in the long run.
Cartier La Panthere: Probably I havn't tested it enough, but even if well constructed etc it doesn't leave a lasting impression, I can't remember at all how it smells.

Wishing you a great New Years Eve and a Happy New 2015!

måndag 25 augusti 2014

Serge Lutens - L'orpheline

Picture: L'orpheline
Photo: PR Serge Lutens

L'orpheline is the latest fragrance from Serge Lutens and it's a part of the square (spary) bottles line, sometimes also called the exportline. As the black label indicates, its a stronger concentration, and more expensive than the whitelabeled bottles. Perfumer is Christopher Sheldrake, the former inhouseperfumer of Serge Lutens, now also with Chanel. As with most of Lutens latest creations, there is a backstory to L'orpheline which has it's background in Lutens childhood, the relation to his mother and his analyze of his feelings of the time.

L'orpheline starts with an almost refreshing combination of aldehydes, a cold, woody,almost green incensenote similar to pine. After a while it becomes warmer and light woody, herbaceous and as the fragrance further dries down, a peppery twist of the incensenote similar to the one in Parfumerie Gènèrale L'Eau Guerrière, appears but only with a fraction of the strength of the latter. As the drydown goes furhter on, a comforting, slight soapy note appers, soften the incense without any sweetness. There is also traces of the chilly, fresh pinelike incensenote from the initial blast of L'orpheline, a note which is also present, but stronger, in Robert Piguet Oud and in Oriza L.Legrand Relique D'Amour. The dominating accord in the middle of the fragrance is this simple but beautiful combination of fresh incense and soapy aldehydes.

Reaching the base the special pleasant slight wet, powdery, putty and musky note appears which I like in creations as Chanel 1932 and several other good contemporary fragrances, here is the link to a special post about this basenote. In L'orpheline that special note is combined with incense and creates an alternately chilly and tepid impression. Overall, L'orpheline in its latest stage reminds me very much of Chanel 1932, without jasmine and with more incense. And probably is that not a coincidence taken Sheldrakes role in both houses into account.

L'orpheline is a subtle, lowkey skinscent with low silage. Longevity for a day but a bit weak in the latest stage. Office-appropriate but also casual mostly for intellectual leisures as visiting an art exhibition or a classic concert. L'orpheline is a fragrance for contemplating and situations that require some sort of tranquility. First it not seems very original as there are traces of other fragrances, but  when worn and properly evaluated, this is in my opinion a new way to treat incense, in a low key, comforting way. Anyway L'orpheline is intriguing (triggering the imagination) and pleasant to wear.

Update December 2014: Cold weather makes the best of L'orpheline, it's a awesome fragrance, easy to wear, intriguing, which means that you get compliments. One of the best releases of 2014.

Rating: 4 5 (December 2014)

Notes: Aldehydes, coumarin (fougere accord), woods, ambergris, patchouli, incense, chasmerean
(notelist from Perfumeshrine as Serge Lutens doesn't reveal the notes on the site)